Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich taking in the rye oil


taking in the rye
Painting ID::  68730
taking in the rye
1912, oil on canvas 72x74.5, stedelijk museum amsterdam. se
   
   
     

Kazimir Malevich landscape with a white house oil


landscape with a white house
Painting ID::  68731
landscape with a white house
1930, oil on canvas 59x59.6 state russian museum, leningrad se
   
   
     

Kazimir Malevich portrait of kliun oil


portrait of kliun
Painting ID::  68732
portrait of kliun
1913, oil on canvas 112x70 state russian museum, leningrad se
   
   
     

Kazimir Malevich detail of portrait of the composer matiushin, oil


detail of portrait of the composer matiushin,
Painting ID::  68733
detail of portrait of the composer matiushin,
illus 71 se
illus_71 se
   
   
     

Kazimir Malevich the accounting lectern and room oil


the accounting lectern and room
Painting ID::  68734
the accounting lectern and room
1913, oil on canvas 79.5x79.5 se
1913,_oil_on_canvas_79.5x79.5 se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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